The dynamics tab opens up a number of transient shaping options, with ‘punch’ relating to the strength of transients plus three further controls that emphasise the gated signal’s sustain. 应用瞬态形成封闭的踢鼓by modifying controls within the dynamics tab. This is a big improvement on the more usual and limited open-and-close LEDs. These types of representations are so handy in providing an educational tool to represent what’s going on at all times. The equaliser here has multiple bands, a section of EQ/filter types, and is fully parametric.Ī real-time graph tracks the signal over time to show the effect of gain reduction cutting in below the threshold. Monitoring and equalising the internal sidechain allows the gate to be more sensitive to certain frequencies over others, plus there’s a handy spike slider that amplifies transients so that the gate doesn’t miss out important parts of the performance when opening and closing. In line with the creative, compositional aspect of the plug-in, there’s a handy tempo/note value sync option attached to the gate’s release control. In case of doubt, there are some useful videos on denise audio’s website to demonstrate what everything does. Some controls are named a little differently from other gates, but largely their functions are clear. This would be very tricky to achieve using stock DAW processing with Poltergate, everything is done within one plug-in.
making the sound more chopped before introducing transient shaping to restore life to the track once noise is removed.
We like that this introduces users to the correct order/chain of processing, i.e. The plug-in panel opens with the fundamental gating controls needed to isolate a sound, before going on to process and shape it further. The functions that place this plug-in ahead of competitors include an intuitive control of the internal sidechain signal, a comprehensive transient shaping section post gating, and de-bleed filter algorithms to reduce spill. In the case of Poltergate, many of the controls wouldn’t be featured on a traditional noise gate, going well beyond the scope of those gates and offering a simpler approach to setting parameters.Ī clear graphical representation of how the sound is being processed – and the resultant changes in dynamics – is a welcome inclusion on the user interface. Instead of emulating the look of classic hardware using so-called skeuomorphic design principles, the good folk at denise audio prefer to develop user interfaces that do their own thing.
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